Sylvia Plath explores double entendre from the point of view of a girl living in a man’s community in The Bells Jar. Esther receives distinct messages regarding who she is and who also she wants to be. Culture tells her to be the good wife and mother nevertheless she under no circumstances adapts very well to this idea. She feels conjugation toward almost all of the women the girl meets and ultimately seems pulled in distinct directions when it comes to expectations and desires. The conflict Esther experiences results from what society expects by “good women. ” The content Mrs. Greenwood sends her exposes the hypocrisy she cannot ignore. The article explains how a “man’s world was different than a woman’s community and a man’s emotions are different when compared to a woman’s emotions” (Plath 65). The notion of girls being genuine as the wind-driven snow and submitting to the can of their husbands becomes more of a burden than anything else to Esther. Esther knew omen could be accomplished and 3rd party but they were also expected to live for their people and the lines between these two realms was at finest ambiguous pertaining to Esther.
In Richard Heller’s novel, Get 22, Heller observes ambiguity through significantly different heroes experiencing the same war. Double entendre is performed out through absurdity most of the time. Yossarian advances through the book and when this individual runs into the woman, she tells him, “Catch-22 says that they have a right to do anything we all can’t stop them via doing” (Heller 416). Yossarian realizes that this makes simply no difference if perhaps Catch 22 actually is out there or certainly not because “everyone thought it existed” (418). He finally decides it does not exist as the authority that exists in the world does not need to show itself. The scene through which Yossarian is searching for the young woman illustrates absurdity. As he encounters people who may possibly commit suicide or proceed insane, he could be arrested. The immorality under in the field when Yossarian admonishes Aarfy is ludicrous and unclear as Yossarian attempts for making sense of what is happening. Points become muddled as Aarfy gets the apology he feels he justifies. The double entendre surrounding Yossarian’s experiences happen to be emphasized with all the war and it is up to him to find a that means he can live with for the rest of his life. He cannot embark on believing what others let him know about whatever; he must come to his own conclusions.
Art reflects life in many respects. It is not always appealing in fact it is not always noticeable. The ambiguity these writers present illustrate how people cope with a sense of self even though they are surrounded by people sharing with them that they should react and what they should feel. A sense of home is greater than what one individual or group of people can tell you; it is identified from within. Salinger, Ellison, Plath, and Heeler capture unconformity on a personal level; their particular characters need to look inside themselves and beyond the ambiguity to discover who they are. They could conveniently accept what society tells them nonetheless they would be getting into a journey of unhappiness. They must become strong enough to resist what others inform them – regarding war, themselves, and everyone otherwise. The experiences will be truly unique, regardless if they are agonizing. They reveal the quest of do it yourself.
Ellison, Rob. Invisible Gentleman. New York: Label Books. 1952.
Heller, Frederick. Catch 22. New York: Dell Publishing Company. 1961.
Plath, Sylvia. The Bell Container. New York: Bantam Books. year 1971.