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Nietzsche’s claim that God is deceased arouses interesting questions not only on what or who killed The almighty but likewise on how individual society, lacking the long-held comfort with the polarity of ethical and moral argument, would make judgements of what is real, good, or perhaps beautiful in their lives and the world. The moral and ethical contradiction of a community where Fact does not can be found is shown in the movie Glengarry Glen Rose which is an exploration of the motivations and impetus of individuals in a society where duality great and wicked have ceased to become the standards.

Arguably, the film shows the honest dilemma in a postmodern world, notably posed by Nietzsche, who observed the demise with the notion of absolute Truth is a double-edged sword to get society. The reason is , the lack of clearcut and universally held concepts of what is right or wrong, while at the first generally seems to connote independence, ultimately leaves a void that leads to human give up hope and nihilistic feelings.

Modified for the top screen coming from a perform written by the movie’s representative David Mamet (1992), Glengarry Glen Ross follows two days in the lives of four real estate agents who confront a bleak future in the event they do not close a deal rapidly. These character types, played by a veteran and brilliant ensemble which includes ‘s Pacino (Ricky Roma), Jack port Lemmon (Shelley Levene), Male impotence Harris (Dave Moss), and Alan Arkin (George Aaronow), are told point empty by company representative Blake (Alec Baldwin) that the organization will fire every sales person except for the most notable two within just one week. The agents, desperate to retain their very own jobs and continue to make a living, commit actions that increase questions as well as comments on how far people in today’s contemporary society would go aid themselves and attain their very own materialistic dreams. In a few days, the heroes become involved in a series of situations that present how human being culture offers tremendously suffered with the lack of moral and moral considerations.

In addition to capturing the apparent rot in human being culture, the film is particularly concerned about the motives and assumptions that drive every single sales agent’s actions and how these causes often bring about clashing pursuits. This is noticeable in how a themes of truth, status, and identity are tackled based on the energy, thoughts, and actions from the characters inside the film. For example, Blake’s persona as a questionable and unresponsive company rep is evidently intended to parody the attitude of big business when it comes to guaranteeing a healthy important thing, which is plainly against the curiosity of their workers.

On the other hand, these workers”or salespeople”are represented as comparable to Blake himself in terms of rudeness and deficiency of humanity. Ricky Roma, for example, is afterwards shown to be a heartless spirit who takes advantage of the weaknesses of others to progress his targets. Shelley Levene likewise areas to thieves in order to close a sale and exact vindicte on his recognized enemies. In the end, Blake’s personality with its obvious inhumanity turns into less despicable as the frailties and weaknesses of other heroes are revealed. Ironically, the audience is generated feel shame for such human weak point instead of being led to think righteous. It is because the film attempts to evoke empathy in its visitors for character types who are, alas, because human because the viewers are and whose aides for “wrongdoing resonate with the audience.

Perhaps, the narrative of the movie itself can be described as statement against the ethics”or the possible lack of it”of the four realtors. In this sense, Glengarry Glen Ross delivers a painful critique of how society’s perception of integrity and even the sense of morality have been completely replaced by materialistic wishes. The story in the four sales staff, desperate and “immoral,  mirrors the realities faced by people in their pursuit of personal success and a greater social position and how this quest, incongruously, often results to the further more debasement in the humanity in the individual.

The film, in fact , is full of this kind of play at irony that depicts just how people’s well worth are not judged by contemporary society based on how “good they live their lives but for the number of material things they will possess. From this social purchase, humans will be segregated by way of a class, cultural identity, and gender which determine their particular ability or perhaps their eligibility for usage of basic and higher demands. The film’s narrative by itself, which revolves around real estate agents trying to sell dirt in its figurative and literal which means, alludes to the way in which individuals are not anymore concerned with telling the truth or with earning a living through honest methods or at least, devoid of causing the ruin more. Apparently, modern-day world went beyond being immoral or perhaps corrupted to being unethical or with a lack of moral specifications itself.

Hence, the honest dilemma brought up by the film reflects Nietzsche’s argument within the death of God, mentioning the decline of society’s dualist idea of good or perhaps evil. With this death, everything that individuals have come to believe in becomes be subject to doubt as truth falters in its absolute hold on consciousness. In this contemporary society, even the realities of human being experience”the entire spectrum of feelings and thoughts”can become questioned and examined for his or her validity. Human acts will be therefore defined not by way of a conformity with accepted rules or innate values nevertheless by the scenario surrounding them. This scenario, in turn, turns into the standard with which an work becomes socially acceptable.

In Glengarry Glen Ross, the death of universal beliefs and norms for what great or wicked meant that honest considerations were dispensable and were valuable only when the necessity arises. Ricky Roma’s character, for example, engages in a monologue”which is usually later revealed to be a product sales pitch”that shows how contemporary society and persons have suspended all forms of judgement in favour of individuality. Consequently, Roma’s presentation, which works with stealing, cheating, and even pedophilia in a uopm?rksom manner, is a tell-tale signal of the central argument manufactured in the film: that the death of absolute Truth offers entailed the death of things once cherished simply by humans such as the concept of love and benefits.

According to Nietzsche, this has created a gap in those who felt misplaced without the moral values and concept of morality that offered to point their lives. Instead, these ethical values such as Real truth, were substituted by the notion that there was clearly a multiplicity of truth depending on just how these benefitted society or the individual. Ultimately, however , Nietzsche points out that the loss of a feeling of ethics and morality as well leads, for many individuals, to lose their very own sense of meaning and to despair. Thus, loneliness and desperation is usually pervasive in Glengarry Glen Ross, to get how could guys engaged in creating lies to their fellow humans in order to earn a living be able to live truly significant lives?

Therefore, it is in portraying the ruthless and callous ways with which human beings action in a program dominated by simply materialistic notions of achievement and happiness, that Glengarry Glen Ross succeeds at brutally dissecting individual motives and activities based on Nietzsche’s philosophy. Consequently, the film is able to induce retrospection on what has changed into a reality for some in a materialistic society, and to evoke the decision of whether this really is a reality that is worth retaining for the long term or one that must be transformed and changed to agree the meaning of human your life.

Work Mentioned:

Glengarry Glen Ross. Euch. David Mamet. Perf. Plug Lemmon, Ing Pacino, Education Harris, Alec Baldwin, Joe Arkin, and Kevin Spacey. New Series Cinema, 1992.

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