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Henri matisse la joie de etre essay

“The Delight of life demonstrates a multitude of contrasting colors, both warm and frosty, which on the other hand agree with the other person. Indeed, saving money and lemon that make up the foliage comes out yellowish, blue and pink earth. The framework forms and wavy lines in this art work creates a selected harmony from this mix of shiny colors, some fluidity that makes the solid colors just a little lighter. The characters of “The Pleasure of Life (1905-1906) concentrate on allegories in the arts (music and dance) and joys (body splendor and love) life, which will bring them, as the title itself suggests, “la joie para vivre.

We can also take notice of the circle of dancers, in the back, serving like a preparatory research for the painting La Danse, he realized in 1909 this painting is known as a hymn to the beauty of the body, skill and color. In the art work we can note that arabesques enhance the bodies, and that they are themselves emphasized, every once in awhile, by jewelry or nimbe of color. Matisse seemed to have a lot of fun drawing the bodies of girls, who had naturally keen to decline a variety of curves, creating all kinds of postures.

The installation of one of the women in the second prepare will be taken on by Matisses Blue Bare in Biskra 1906 (Baltimore), but people also be, for instance , some of the ballet dancers from the history, greatly increased, in Dance (the two major versions of 1909 and 1910, the Art gallery of Modern Skill in Ny and the Hermitage Museum in St . Petersburg). Matisses function took a brand new turn in 1905-1906 when he colored “the delight of life. For this operate, he finally emerged as an innovative artist.

Practicing a synthesis of all things he features learned over the last fifteen years, Matisse integrates new but decisive affect of Ingres, through which this individual completed to revise the traditions and heritage of the outdated masters, recently confiscated by academic artists. Making use of a new way of portrait (pure colours arranged in flat, use the line to define your body and take full advantage of their sexual curves), the artist produces in the symptoms of a instant sentimental, soothed and voluptuous.

Picasso, to whom he fulfilled during the year 1906 will see “Le Bonheur de vivre and draw the lesson it is possible, in the tradition, your most classic, to create something new, that it shoed in 1907 with “Les Demoiselles dAvignon. That same year occurs between the two artists, yet very different, common admiration. Concerning “Le Succès de vivre, the fabric is definitely bought simply by Leo Stein: he then considered as the largest canvas of his time, just before its sold to the American collector Albert Barnes, selecting precisely Les Demoiselles d Avignon.

Today, this function is considered as one of the most important piece of art of the twentieth-century art, along with is “Les Demoiselles dAvignon by Picasso. Indeed, Matisse, with its utilization of strong colours and lengthy, curved lines will in the beginning influenced his acolytes Derain and Vlaminck, then expressionist and surrealist painters same. As in La Joie de vivre, the famous painting of Dali, The Persistence of Memory (1931), addresses, forms with long, substance and curly lines.

Bibliography:

Le fauvisme: ses origines, son advancement

2000, Marcel Giry

Henri Matisse 1869-1954. Maître entre ma couleur

2150, Volkmar Essers

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