In the story Grendel, by John Gardner, the author acquaintances each section with a different astrological sign, such as Aries, Gemini, and Sagittarius, not only to enhance the role of characteristics in the story, but as well to better chronologize Grendel’s progress and retreat in his philosophical development. Furthermore, this status even mimics that which this individual struggles to grasp: the knowledge with the continuation with the universe devoid of him following his fatality, even though his world is at a an end.
Beginning the novel with all the first indication, Aries, Gardner introduces the stereotypical trait of cyclical thinking. The ram, which is the image for Aries, indicates another spring coming around, spurring Grendel to lash away as he locates himself captured in an “endless progression of moon and stars” (p. 5). Not only does the “cyclical” trait indicate that Grendel is irritated with the never-ending loop this individual feels caught up in, it, along with the mention of “moon and stars”, clues the reader to the use of the signs like a vehicle to communicate Grendel’s own circuit from existentialist on to empiricist on to nihilist and back once again. Put simply, the confirmation that Grendel’s own lifestyle is, in itself, the very circular, repetitive procedure that he abhors.
The reader journeys along with Grendel through his encounters and phases of philosophical thought. From him realizing that he “alone creates the world, blink simply by blink” (p. 22) following being attacked by the bull of Taurus” ushering in his stay in a great existential mentality “to his head “splitting” (p. 44) into dual realities underneath Gemini. That split inside him” a creation of Geminis symbol, twins “is used to demonstrate the efervescencia and interior turmoil he feels when he is ripped between that newfound existentialism and the inviting lies of religion that the Shaper brings along. The Shaper, a harp-player who have sings of any loving God to the Danes, the occupants of youthful King Hrothgar’s mead area, is a display as well of people quick-witted and smoothly eloquent Gemini attributes that this individual utilizes to trap the topics under the nice lies of the benevolent push that hard disks all things to occur for a reason, allowing the emotional individuals to feel that their problems are not in vain. Grendel, however , his cold and inhuman audience, becomes caught up somewhere between the notions in the inanimate, unfeeling universe this individual feels he has come to know and a fatherly, patient, Cancer-esque The almighty painted by this man who also nourishes and nurtures through false hope” what this individual finds this individual has the ability to desire and be seduced by, as the Danes do and may.
Later on in the novel, when Grendel has acknowledged his position as “the Destroyer” (p. 72-73) so that as a nihilist, both concepts presented to him by the Leo-likened Dragon, he starts himself consequently by wreaking havoc around the mead lounge. During this harm, the reader suddenly finds themselves in a burial plot realization that Grendel’s lifestyle will soon end, a sudden deviation that guys them faraway from their earlier vantage level they shared with him. Beneath the sign of Sagittarius, whose image is definitely an archer, Grendel perceives a Scylding hunter fell a hart with a ribbon and bow and arrow” foreshadowing his own fast-approaching demise. The demolition of his philosophical growth is also brought on as he stumbles upon the phony priests who have preach faith but practice nothing” representative of the centaur (the half-man, half-horse beast) who is the archer of Sagittarius. Because Grendel unconsciously and uncaringly awaits the approaching of the “water bearer” (p. 151) of Pisces” the Geat Beowulf “that will certainly ultimately end him, this individual observes because both his nihilistic way of thinking and his attraction to faith are concluded by the quasi-priests being exposed.
It is only when that sea-bearer comes and occupies Grendel’s self-centered, one-creature world, displaying the Piscean emphasis on connectedness within the galaxy that Grendel’s Aquarian style plays a stark comparison against, that he results to exactly in which he was when the story began. Once again obtaining himself like a helpless cog in the ever-churning world that he can want to create within or be run simply by, he knows that he can never get away until he can forced away by loss of life, at that moment getting administered gruesomely to him by Beowulf.
Through the novel, Gardner provides icons of the indications or qualities of the indications to demonstrate Grendel’s circular growth and regression in his views about the universe, however it is eventually at his time of demise that provides an absolute representation the vicious circuit he fights and loses against” as we all do.