How exactly does mise-en-scene make meaning and provoke response in the opening of American Beauty? The beginning scene of yankee Beauty shows a young girl lying down in a bed, venting her feelings to her father. In this, the audience sees her in uninteresting clothing and colours, minimal make-up and has greasy-looking hair. While she is located up, her hair comes around her face and she stares directly into the camera, providing an sense of unease for the audience.
Another shot is an creating shot, showing the street the place that the main personality, Leister, lives.
Its fall/autumn time and the trees will be bare or dying, probably indicating and foreshadowing a death down the road in the film. Also the streets are extremely linear, most vertical and in uniform, as it were. The opening greatly portrays relish and dysfunctional family human relationships. A perfect example of this would be the bed room shot, the area is very empty and dull. The colour scheme looks very neutral since the walls, carpets, sheets and lamps will be creams and white- a clean look.
The bedroom is also divided and symmetrical, the audience gets the feel that the relationship between Leister fantastic wife can be not very close and closeness is inadequate. Also, the lamps and bedside desks placed both side from the bed suggests separation and exactly how their marriage seems very “Mr&Mrs. Leister is also an interruption to the room- his inspected pyjamas will be in linear and in standard with the remaining room- as he looks out of place, sprawled in the bed, bedsheets ruffled and contrasting while using colour scheme of the room.
The moment Leister then moves in the shower, the group sees him ease his face in the pouring normal water, suggesting just how he might relieve his way into lifestyle situations little by little and very carefully. The next taken pans across the table as Leister masturbates inside the shower, indicating the lack of intimacy in his romance and that he feels the need and obligation to satisfy his individual sexual needs. The shot shows the shower entry doors and the straight lines around the door shape, looking like bars almost, recommending he is surrounded. This feeling of housing and becoming trapped is definitely repeated and a continual theme throughout the sequence.
This opening features the family’s lifestyle and sets the scene pertaining to the audience, from your shot subsequent Leister’s showering, the audience provides the sense the fact that wife is definitely the head of the house as your woman gardens in a bright, modern day looking back garden. The camera goes to a close up on the rose while the woman fasteners it from the bush. This kind of rose is known as American Natural beauty which is also the film. The girl with dressed in a plain grey go well with and a clean white apron, again fitting in with the colour scheme of the home decor.
In addition, she wears gem earrings and a treasure necklace with her locks perfectly mounting this and has remarkable make up, suggesting what the best American stay at home mom should appear like. She also converses with the gay neighbours about the secret to her roses growing so well, she seems completely happy and extremely enthusiastic. The audience then visit a shot of Leister, once again, enclosed within an environment- now the window. The audience recognizes him in back of the home window panes, among two bright blue wooden shutters, indicating his isolation and loneliness within just his own home. The colour blue is also an appealing choice by the director.
Green suggests quiet and peace within the residence, and also indicates the colour in the perfect blue sky. Leister seems to fit in as he indicates his own life great past delight, and also seems unsettled inside himself, different to the organic connotations from the colour blue. Following this shot, the daughter, Janey, can be introduced as she types on her computer system in her bedroom. Janey wears a jumper with roses adorned across the leading half, with stripes down the arms, this can be a very ‘busy’ jumper and again her sleeves signifies a similar geradlinig lifestyle to that particular of the remaining house.
The camera after that moves to a place of look at shot and so the audience can see what she is looking at- as your woman shuts down a directory of some sort, an online page about ‘Breast Augmentation’ is shown for a few secs, giving the audience enough time to study the title from the page and respond. This is deemed to get something a teenaged lady uncomfortable in her own body could typically check out. Janey after that walks to her reflection and converts to the side and stares in her breast and creatively inspects them in disgust.
She appears disheartened and is also dressed in a set of beige/khaki pants which entirely contrast to her jumper, producing her appear ‘frumpy’ and out of place. The outside of the house can then be shown in a long taken as Janey and Leister exit the home to the friends and family car. The property looks bright and contemporary with dazzling blue shutters, a red door to compliment the roses in the bushes, ideal green garden and a white picket fence, again representing enclosure, the feeling that Leister is definitely trapped in a cage. The house looks like children home that wishes to portray friendliness and meet guests.
As well, the relatives car is significantly too large pertaining to the family members, there is an excessive amount of space inside. This shows how vacant the family members life is and suggests the proximity of relationships inside the family. The family placing in the car is also odd, the wife inside the front chair driving, Janey in the voyager seat and Leister having a nap, embracing his travel suitcase to his chest in the back seat, Leister offers almost considered the children’s role inside the family. The camera then shows the audience the view from the back window, and is targeted on one small , and lonesome impair that has busted away from the other folks.
This could show Leister’s remoteness and how this individual feels like he could be ‘sedated’, solid away from the other people and shut off and exclusively. Overall, this opening series really uses mise-en field to provoke empathy for Leister and to an magnitude, Janey, and possess a much deeper meaning in to the family’s lifestyle. The movie director has used mise-en-scene throughout the opening sequence showing how unable to start a seemingly ‘perfect’ is and unravels family complications and struggles within the initially four a few minutes just by using props, patterns and building settings.