The film Godfather 1 and 2 aimed by Francis ford Coppola, some characteristics of his directional design are, cinematography with specific use of close up, cross-cutting, lighting and sound through a selection of different camera angles to enhance the viewers way of thinking and having a clear understanding of the key idea “Duality of man” of the personas in the film. Francis kia copolla includes cinematography inside the scenes in the film as it represents different perspectives making the audience discover important aspects of what is happening in the film.
In Godfather one particular and a couple of Francis Kia Coppola effectively uses cinematography such as the cross-cutting technique to boost the audiences perspective of the character types which was in the “baptism scene” of Godfather 1 that has Michael Corleone in a wedding ceremony of his nephew becoming baptised plus the assassination from the 5 minds of the cosca family. Through this cross-cutting technique the group can see the calm and innocent deal with of Eileen Corleone as he is inside a cathedral taking role to be godfather to his nephew.
As a group Coppola can be making us empathise with the “good” side of Eileen Corleone producing us feel that he is a great innocent man who has zero affiliation together with the business of his daddy by being present in a cathedral. Within the “good” side with the baptism landscape it cross-cuts to the henchmen preparing to get rid of the five heads of the cricca families under the order of Michael Corleone, this shows the power of what Michael will offer showing prominence over the 5 families leading to ending the mafia warfare.
In the beginning scene of Godfather a couple of, the technique of intense close up about Michaels confront can be portrayed as this shot symbolizes the function of Michael being a effective man, combined with the extreme close up follows program a close up shot o the office seat which as well symbolises electric power and power. The close up shot in the office couch is effective as it signifies the legacy of Michaels father Vito Corleone, in the footsteps he has the position on carrying on the organization of being a mafia leader.
The use of cinematography on the figure Michael Corleone in the baptism scene of Godfather you and the beginning scene of Godfather 2 both talk about the function in understanding in the key thought “Duality of man” as it displays the ability and specialist of Eileen Corleone. In the film Godfather 2, the role from the main leading part Michael Corleone plays a substantial role in contribution for the audience even as we are looking at the power and authority he has to offer throughout the film. Francis ford Coppola skilfully performs this by making use of the chiaroscuro effect to portray it.
In the opening scene of Godfather two the contrasto effect can be successfully carried out by Copolla to show the dual sides of Michael Corleone where half of Michaels face can be dark as well as the other is light. This kind of effect influences the people understanding of the important thing idea “Duality of man” as it is seemingly shown on the face of Michael Corleone. The sunshine side signifying the “public side” in which he is seen as a great innocent number while the dark side indicates his “private life” behind closed doors in which “business” has been planned.
The chiaroscuro result is also employed in the baptism scene in Godfather you where Michael jordan is in the cathedral in a wedding of his nephew staying baptised, in addition also the assassination in the five heads of the cosca family. Through this the chiaroscuro effect clearly helps the evidence even as we can see the “good” part of Jordan with the cathedral representing that and to it is the against the law business being prepared by Michaels men. While an audience our company is cunningly motivated by the getting rid of but also rejoiced in the assassination of the five minds of the mafia.
The use of appear plays a tremendous role in setting the tone of your scene providing us an improved understanding of the theory “Duality of man” in the Godfather 1 and 2 . In the Godfather 1 the beginning of the film is shown by a haunting theme song alongside with the characters Bonasera and Wear Corleone. Following the theme tune it destroys into peace and quiet between the chat of Bonsasera and Vito Corleone. Through this conversation Bonsasera is making a request for justice of his daughter because the American legal system failed him.
Stop is put to use effectively simply by Coppola which can be evident as he has done that in a non-public office, the theory for Coppola was to build tension because silence enables no distraction for the audience who have to emphasis on the power and which means of the words being explained by the two characters. There is contrast between the silence inside the private office and the sound of the wedding music outside, this indicates to the audience the dual edges of a person being good and bad at the same time.
The usage of audio which was also used efficiently in the baptism scene of Godfather one particular, religious music is performed on the body organ throughout the service of Michael’s nephew staying baptised. Jordan who need to act as a task model for his nephew professes his faith in God and rejecting in Satan nevertheless the assassination from the 5 mind of the relatives takes place the amount of the faith based music improves as the cross-cutting comes back and on of the baptism and the dirty work being done by Michaels males, the volume of the religious music increases significantly reaching its climax with the film.
The usage of sound helps the audience understand the tension of music and contrast between life in closed doors and existence in public. The film Godfather 1 and 2 the important thing idea “Duality of man” can also relate on existence experiences. Reacting to the topic the Godfather 1 and 2 assisted the audience in understanding of being an excellent mafia head where in every area of your life we are swept up in situations wherever we produce choices that may either benefit ourselves or it can injury us.
An additional example is when a person has power it can lead us to penalties wherever we have a lot of it gets uncontrollable we tend to ask for even more. In conclusion, the Godfather you and two directed by Francis honda Coppola intelligently uses cinematography such as close-up, cross-cutting, lighting and sound through a various different camera angles to strongly improve the audiences’ way of thinking of the important idea “Duality of man”. Through the use of cinematography the motif is efficiently portrayed which provides the audience a better understanding about life activities.
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