The Love Track of J. Alfred Prufrock demonstrates the effects of social and economic pressure in the existence of a Victorian man. Capital t. S. Eliot shows us, in an satrical monologue, how a reality old and cultural position paralyzes his personality with dread. The poem opens with six lines from Dante s Infernio. This particular stanza explains the fact that speaker is within hell and the message can simply be told to someone else in hell. The speaker lets us know that it is OK for the listener to listen to the concept, since to be able to hear you have to already be in hell with out one ever before returns after that.
So the concept will never keep. I believe Eliot uses this kind of message to infer that just a visitor who understands the loneliness and frustration of Prufrock can truly understand the poem. However , inside my research, I have discovered as many several interpretations in the poem?nternet site have discovered readers. Most agree, yet , that Prufrock is talking with the reader if he says both you and I (Line 1). Many readers likewise agree that Prufrock is a lonely gentleman, but what kind of company he desires seems to vary greatly. Interpretations consist of sex, interpersonal company, long-term love, as well as death.
I really believe Prufrock desires for the sense of belonging, both with a feminine and with his society. This individual struggles with issues of sex, grow older and cultural change. The beginning lines of the poem(1-25) fresh paint for a incredibly descriptive photo of the avenue where Prufrock is going for walks. It also notifies the reader of Prufrock t distaste for this area and this society. This individual describes it as include deserted, muttering. one-night cheap hotels and sawdust eating places. (5-7) He contrasts that with his destination of a space where ladies come and go/Talking of Michelangelo (13&14).
Prufrock doesn t give the reader much insight into his houghts till line 21. From this range forward, we get a view of what it must be want to be Prufrock. He lets us know There will be period, there will be time/ To prepare a face to satisfy the faces that you meet up with (27-28), suggesting repression. He or she must prepare him self mentally in order to put on the right social graphic before this individual makes his visit (12). The rest of the poem simply reinforces his have difficulties between the way he would love to be and the reality of his your life.
He starts to ponder the overwhelming question (11) of whether or not or not really he could have a romantic interlude ith one of the ladies he could be gong to visit, but the socially acceptable and slightly neurotic side of him comes forth and this individual quickly fuses his thoughts to his thinning hair. I believe he is trying to gather the courage to approach one of those ladies (42-43&45-46) but looses the valor as quickly since it came to him. He then laments about his indecision and lack of courage, in a minute there is time/ For decision and changes with a tiny will change.
The concept of the Prufrock s fickle thoughts run through the poem, because illustrated in the confidence about his clothing and preference, hen just the next collection he his back to the insecurity regarding his era But just how his legs and arms are thin. (45) Prufrock goes on to notify the reader of his knowledge I have well-known them all”/Have known the evenings, days, afternoons, (50) describing the stages of his life from his youth through his young adulthood to his present state, as a middle outdated man. This individual feels the age and eventual death of not only himself but with the society he can a part of. This individual hears voices dying¦..
Under the music coming from a a greater distance room (52-53), and realizes that he’s at the end of his ime. I think this individual realizes that he is not really a member of the present day society, nor am I sure he really wants to be. Nevertheless he really does feel that he’s watched such as a specimen formulated, sprawling on the pin (57). But in contrast to a bug in a pest collection, he could be still alive and tormented wriggling on the wall (58). He knows that his customs can be a part of the earlier, but he could be unable to view the way to go on. He thinks most likely he should spit out the butt-ends of my days and nights and methods (60) but realizes he wouldn big t know how to resume life in the new world And how should I presume? (61).